Wyvern C358 DS
A popular example of three manual traditional draw stop console.
A beautiful instrument for devotional playing
For larger churches or the serious home organist, a popular example of three manual traditional draw stop console with a lavish stop list and full toe piston compliment.
Voice specification
Pedal
| Contra Salicional | 32 |
| Open Wood | 16 |
| Bourdon | 16 |
| Principal | 8 |
| Salicional | 16 |
| Quint | 10.2/3 |
| Octave Bass | 8 |
| Bass Flute | 8 |
| Fifteenth | 4 |
| Choral Flute | 4 |
| Mixture 19.22.26.29 | IVrks |
| Double Ophicleide | 32 |
| Ophicleide | 16 |
| Posaune | 16 |
| Clarion | 8 |
| Octave Clarion | 4 |
| Choir to Pedal | – |
| Choir to Pedal 4′ | – |
| Great to Pedal | – |
| Swell to Pedal | – |
| Swell to Pedal 4′ | – |
| Gt and Ped Pistons Coupled | – |
| Generals on Sw. Toes | – |
Great
| Double Open Diapason | 16 |
| Open Diapason No.1 | 8 |
| Open Diapason No.2 | 8 |
| Wald Flute | 8 |
| Stopped Diapason | 8 |
| Principal | 4 |
| Harmonic Flute | 4 |
| Twelfth | 2.2/3 |
| Fifteenth | 2 |
| Sesquialtera 17.19.22 | IIIrks |
| Cymbale 26.29.33.36 | IVrks |
| Tromba | 8 |
| Tromba Clarion | 4 |
| Swell to Great | – |
| Swell Octave to Great | – |
| Choir to Great | – |
Swell
| Liblich Gedacht | 16 |
| Open Diapason | 8 |
| Fluto Traverso | 8 |
| Echo Gamab | 8 |
| Salicional | 8 |
| Vox Angelica | 8 |
| Principal | 4 |
| Flute | 4 |
| Fifteenth | 2 |
| Mixture 19.22.26.29 | IVrks |
| Double Trumpet | 16 |
| Trumpet | 8 |
| Oboe | 8 |
| Clarion | 4 |
| Tremulant | – |
| Sub Octave | – |
| Octave | – |
| Unison Off | – |
Choir
| Holzprincipal | 8 |
| Gedackt | 8 |
| Viole à Pavillon | 8 |
| Prestant | 4 |
| Koppel Flute | 4 |
| Nazard | 2.2/3 |
| Recorder | 2 |
| Tierce | 1.3/5 |
| Scharf 29.33.26.40 | IVrks |
| Bass Clarinet | 16 |
| Basset Horn | 8 |
| Orchestral Oboe | 8 |
| Tuba Mirabilis | 16 |
| Swell to Choir | – |
| Tremulant | – |
CRAFTSMANSHIP
This one has been built with an additional Solo division mounted on tabs above the Swell.
“You supplied me with an instrument in June 2015 and, after reading the testimonials page, I thought that I would like to give some customer feedback.
After much careful planning, in 2015 I took delivery of a bespoke instrument with a relatively modest specification of thirty four speaking stops and three manuals. Quality of touch, tone, etc. was the essential priority, rather than the number of stops. Although the specification is mainly my own, Wyvern were able to provide good professional advice regarding stops and voicing. The quality of manufacture is excellent. It has an excellent quality key and pedal touch. The sound quality of each stop is also excellent, whether played individually or in ensembles or larger combinations. It is used for practice, composing and arranging, and I am very pleased with it. I have owned Wyvern instruments for over thirty years, this being my third, and highly recommend this company.“
Chris Evans, Sedgley
£POA
Available in other finishes
EXPLORE OTHER BESPOKE CUSTOM ORGANS
Designed specifically for smaller churches where tonal quality is valued over the quantity of stops.
£POA
